我在想这电影能在英国放么...要是叶问和那个拳王的国籍换一下，中国人看见被这么演，在中国会是个怎么骚动法...估计就是一个禁片。

不同意两位女主演的角色要换一下，金敏喜这张脸长得真的太有诱惑力了，还是演九·幺9.1海外是最好的。朴的美学就是你只要一旦进入了就真的会沉迷其中

仿佛是宿命的轮回，琪的妈妈就是抢婚的受害者，但是她的行为真的矛盾。一面教育着孩子不要接受这庄婚姻，一面又去学校把女儿带回来；一面打电话告诉女儿要系紧裤腰带，一面又在男方家抬人走的时候无动于衷，没有丝毫阻拦。我个人没感觉她有多少不舍得，她只是觉得两个女儿都出嫁了，老公靠不住，家里没人能帮她干活。 还有琪，她坚信自己不会像姐姐一样，不会走她的老路，她觉得自己不会被绑架抢婚，但是镜头下是她自己笑嘻嘻的跟着男方走的。 父母一边说着尊重女儿的意愿，一边其实彩礼要多少都已经商量好了。也许是在镜头前面，所有人给我的感觉只有两个字，拧巴。说的和做的完全不一致，态度也是让人难以接受的窒息。 因为你把那当游戏，结果却掉进可怕的陷阱

刚好之前刚看完了米泽穗信的《娇妻互换俱乐部呻吟》，对照着看，感觉营造了大半天的氛围后，高潮没起来。另外，选角严重严重严重失误，金敏喜那么一张典型的朝鲜人的脸，又那么难看，还演一超迷人日本贵族，骗鬼吧？！鉴于导演是老嫖客，九·幺9.1海外这种发挥简直有失水准，再减一颗星。

SIFF #6 Real-life coming of age movie. What stands out here is the subtle push and pull dynamics between modern values and conservative traditions. On one hand we have characters saying the "correct" things, like "we parents shouldn't interfere what our children want", or there seemingly is direct intervention from School teachers and folks from "People's Committee" aiming to protect children's rights, which makes you think that tradition, as it stands, maybe are merely performative traditions in this day and age. Until at the very end when the brutal sequence unfolds in front of our eyes, the camera and the parents of Di, who almost decides to do nothing.